INC project update: Hybrid Publishing Workflow test


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On the 12th of September the Institute of Network Cultures subgroup organized a meeting to test  the initial results of their research. Their project focuses on optimalising the publishing workflow for print and electronic publications – developing a “hybrid publishing workflow” that will make it easier and more sufficient to publish for several platforms and formats. For this purpose they have researched and developed several tools, and created manuals that will make this process accessible for a larger audience.

During the test day the tools and manuals were tested by several people that each represented a certain role in this workflow: editor, designer, and developer. The results of this test day will be implemented, and published on the blog as soon as possible!

INC subgroup Testmeeting 12th of Sept

INC subgroup Testmeeting 12th of Sept INC subgroup Testmeeting 12th of Sept

Wanted: intern with interest in e-books and digital publishing


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For the further development of its electronic publication strategy – combining digital and print books and other media – the Institute of Network Cultures is looking for an

Intern with a strong interest in digital publishing
3-6 months, 4 days a week, starting January 2015

You will be producing international publications in the field of online media in different formats (print, PDF, epub). A strong command of the English language in reading and writing is necessary, as most of the publications are in English. We are looking for someone with a keen interest or background in new media, writing & editing and/or the book industry. It is possible to do research for a thesis within this internship.

The Institute of Network Cultures (INC) is a media research center that actively contributes to the field of network cultures through research, events, publications, and online dialogue. The INC was founded in 2004 by media theorist Geert Lovink as part of the Amsterdam University of Applied Sciences (Hogeschool van Amsterdam). The institute acts as a framework sustaining several research projects, conferences, meetings, with a strong focus on publications. For more information see http://networkcultures.org/. For an overview of all INC publications go to http://networkcultures.org/publications.

We are looking for an enthusiastic, energetic, inquisitive and precise (former) student with a demonstrated interest in the field of digital publishing and a desire to learn about books, e-books, and new media. In addition, you have strong writing and communication skills. Knowledge of WordPress, html, and social media management is a plus.

Internship duties include:

• Digitizing existing publications;
• assisting with the production of new titles, both print and electronic;
• editing manuscripts;
• preparing documents (text, images, etc.) for electronic publishing.

The intern will be a part of a small team within a large institution. Other tasks within the team may include:

• Attending meetings;
• communication and PR;
• researching and writing blog posts;
• collecting and reviewing interesting and relevant literature;
• assisting in other running projects in the INC;
• being part of the crew at INC events.

We offer:

• The opportunity to be part of a dedicated, informal, and inspirational organization with extended international networks;
• experience in the front line of new developments in publishing;
• a chance to enhance your writing, editing, media, and research skills;
• a compensation of € 400 a month.

For further information you can contact Miriam Rasch, publications manager at miriam@networkcultures.org or +31 (0)20 5951865.

Applications: if you are interested please send your resume and cover letter to miriam@networkcultures.org before November 1st 2014.

Announcement: The Post-Digital Scholar Conference


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Publishing between Open Access, Piracy and Public Spheres

12.11. – 14.11.2014 | Lüneburg, Germany

New media is dead! Long live new media! For three days, publishers, researchers, programmers, designers, artists, and entrepreneurs will discuss how research and publishing in the humanities have changed over the past decade. The conference will explore new tools for gathering knowledge, examine platforms for multimedia publishing, or collaborative writing experiments.

Participants will focus on the interplay between pixels and print, and discuss open and closed modes of knowledge, in order to seek out what this elusive thing could be: post-digital knowledge.

Please register here, participation is free of charge. This website will keep you updated and you can download the conference poster here.

The Program of the “The Postdigital Scholar Conference” is chaired by:

Mercedes Bunz – Head of Hybrid Publishing Lab
Nishant Shah – International Tandem Partner at Hybrid Publishing Lab
Michael Dieter – Research Associate at Hybrid Publishing Lab
Andreas Kirchner – Research Associate at Hybrid Publishing Lab

John Haltiwanger: Free Your Objects (And Let The Subject Follow)


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A post by Mathijs Weijers

John Haltiwanger was the third speaker of session 2, which focused on publishing workflows, tools and platforms.

His talk aimed to give the audience a better understanding of the recent work of Gilbert Simondon on cybernetics theory. Simonodon’s work shines a new perspective on Norbert Wiener’s theory of cybernetics, originally published in 1948, but it is often hard to grasp by readers. Hence, Haltiwanger wanted to offer the audience a clear analysis of the essential terms of Simondon’s vocabulary on cybernetics.

Haltiwanger warned that he is not an academic, and that he became interested in the topic when doing his master’s thesis in New Media and Digital Culture at University of Amsterdam: “I had to make a decision about the format the thesis should be published in: PDF, HTML or .doc?”. Choosing the right format seems to be very easy but actually can be problematic, as each has its own specificity. PDF might have a clean interface but it’s hard to archive and be read by machines – HTML would do that job better. Word Documents are, in his opinion, standard formats that are required in the academic environment but have little benefits and reduced usability. There is furthermore the issue of proprietary formats. While he used the open-source Libre software to write his thesis, when exporting to PDF it crashed. These inconsistencies are harmful as “knowledge is too important to be locked in proprietary tools”. Thus, the thesis topic soon revolved around the very format that academic publications can take, Haltiwanger joked. Yet, this is why he believes that understanding the vocabulary for discussing the cybernetics theory of Simondon is important, as users are forced to simplify or even weaken the content of what they are working on in order to get a desired format. Whilst there are so many format options, Haltiwanger argued, “we are constrained by liberty”.John Haltiwinger photo

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Joost Kircz: Going Electronic


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A post by Mathijs Weijers

Joost Kircz was the first speaker of the 2-day conference “Off the Press – Electronic Publishing in the Arts”, organized by the Institute of Network Cultures. From 2006 till 2013, Kircz was a part-time lecturer on electronic publishing within the Amsterdam University of Applied Sciences (Hogeschool van Amsterdam), and currently he is involved with the Digital Publishing Toolkit research project. He regularly publishes his findings on his personal website, www.kra.nl.

Joost

Kircz’s presentation was about the various technical requirements and design standards that different types of electronic books need. “Electronic book publishing in the Arts is a multifarious adventure. On the one hand, electronic publishing is already an unclear notion and on the other hand the notion ‘Arts’ is something nobody agrees on anyway”, Kircz mused. He then introduced The Digital Publishing Toolkit, a project initiated by the Institute of Network Cultures in partnership with Knowledge Center Creating 010 of the Hogeschool van Rotterdam, and a number of publishers: “with this toolkit we want to be able to refrain from deep philosophical preoccupations and – as this conference will prove – are able to develop methods and techniques that help publishers, editors and authors to use electronic means to recreate old works and to create novel ones”. He argued that we must see Electronic Publishing as complimentary to print publishing and not just a change from paper-to-screen. What publishers need, and what the toolkit aims to provide, is easy to use, open source software (more about the Digital Publishing Toolkit, which is due to be release by the end of this year, can be read here). Continue reading

Angie Keefer: The difference between the two


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Angie Keefer is a writer, artist, and co-founder of The Serving Library, along with David Reinfurt and Stuart Bailey of Dexter Sinister.

The Serving Library, as described by Keefer, is a cooperatively-built archive that assembles itself by publishing. It releases e-publications of the artworks and texts under PDF format, for free, for a period of six months, after which the latter are printed and sold.

However, Keefer’s presentation specifically focused on the house font of The Serving Library – Meta the Difference Between the Two Font – which is based on Tex a typesetting language – and how it’s digital origin relates to possibilities in design. She allowed the audience to delve into the video titled “Letter & Spirit”. The 18-minute production presents both a history and a philosophy of fonts by simultaneously playing with the animated typing it uses to convey the message.

You can find a PDF of her original presentation here: Presentation Angie Keefer.

 

Dušan Barok: Communing Texts


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Dusan Barok picPublishing in the humanities holds many unrealized potentials online, argues Dušan Barok, the artist, writer and cultural activist who founded Monoskop (a wiki for art, culture and media technology).

The Internet is not just a medium to distribute, store and manage e-books, he continues, but is in itself a medium that dictates specific means of reading and writing. As far as reading is concerned, many e-books are downloaded and bookmarked but in the end never read. Barok identifies the cause in that “they may contain something relevant but they begin at the beginning and end at the end” – in other words, their linearity is an obstacle for readers searching only for specific information. With full text search functionality available, why bother reading everything? Instead of humans, these e-books end up being read by machines. As far as writing is concerned, plain text might now be rendered to new formats like HTML, XML, wikitext or markdown, but Barok believes that coding holds an untapped potential in linking e-books to each other, much like referencing does in traditional publishing.

Thus, one of e-publishing’s most important unrealized potential is, in Barok’s opinion, contextual reading. An e-book is rarely a closed box; rather, it links to other content and authors, something that we formally know in traditional publishing as referencing. Continue reading

Marcell Mars: Free access to resources for every member of society


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The final session of the “Off the Press: Electronic Publishing in Arts” conference approached another side of the e-publishing field, namely what happens after the e-books are launched: where do we distribute, store and manage them?

In traditional publishing, perhaps the most iconic actor to play this role is the public library. However, as Mars pointed out in his talk, the public library itself is currently under a financial, social and political threat. Furthermore, there is still the question which actors can take up its role in the virtual world. Proprietary platforms like Google or Amazon have already stated their ambitions to become such global knowledge keepers, but this comes with the danger of intellectual copyrights and censorship. Mars, alongside with the other speakers of this session, discussed the existing alternatives: open, collaborative, non-proprietary platforms. How can they be designed to best fit the role of public libraries, and how should they adapt this role online?

Marcell Mars photo

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